New Celeste
It's A New Day
IONA
New Celeste run the gamut of contemporary Scottish sounds on their latest release. The
influence of dance culture is becoming much more pronounced in Scottish folk
projects, with acts such as Shooglenifty, Talitha MacKenzie, the Peatbog
Faeries, Simon Thoumire and Fergus MacKenzie, and Paul Mounsey all utilizing
percolating club-house rhythms in their music.
It's A New Day is at its best when those rhythms are absent. True,
there is an excitement to the meeting of cutting-edge technology and ancient
instruments; the setting of "Stumblin' & Stottin'" relies on this juxtaposition
when the pipes kick in. Yet wherever the computer-thumping beats take over,
New Celeste sound oddly out of fashion. They're no Scottish techno act; the
disco rhythms aren't inventive enough, so that quite a few tracks sound
immediately dated. Nonetheless, I find the effort oddly charming and not all
of the tunes meet with such treatment -- "70 Years/The Caber" has some fine
pipe, fiddle, whistle, and percussion work. New Celeste cook solidly enough
on the instrumentals, even adding in a jazz/rock element to the dance tracks.
The band's finest moments are the songs. Iain Fergus has a wonderfully
smooth, enjoyable voice and the band hits fine folk-rock territory on
tracks such as "The Banks of Ayr," Robert Burns' "The Posie/Scottish Brawl,"
and "Davie and Jeannie." New Celeste is clearly capable of putting all the
pieces together. All of which means that "It's A New Day" really grows on you with
repeated listenings. New Celeste might not be everyone's cup of tea just yet,
but this is a pleasant enough brew for now. - LB
The band that has most defined our American concept of modern Scottish folk music is probably BATTLEFIELD BAND. On Across The Borders (Temple Records, Scotland, via Rounder) this quartet is captured live this time out in a set roaring numbers on bagpipes, fiddles, guitar, flutes and keyboards recorded at Queen's Hall in Edinburgh and distills their style nicely. But the extra spice is added by a host of guest artists. Long time mate Alison Kinaird joins them on Scottish harp. Legendary County Sligo flautist Seamus Tansey plays off Battlefield wind-man Iain MacDonald in a brilliant duet of reels. Yorkshire singer Kate Rusby and California bagpiper Eric Rigler also make showings. Perhaps the most curious moment in the show is the battle of the bands between the Battlefield boys and Glasgow country rockers The Radio Sweethearts (a side project of BB member John McCusker), clearly won by the country bagpiping solo that punctuates the last verses. Another live one from the Battlefield Band has been long overdue, but as always, worth the wait. - CF (sound sample available)
The band that has most defined our American concept of modern Scottish folk music is probably BATTLEFIELD BAND. On Across The Borders (Temple Records, Scotland, via Rounder) this quartet is captured live this time out in a set roaring numbers on bagpipes, fiddles, guitar, flutes and keyboards recorded at Queen's Hall in Edinburgh and distills their style nicely. But the extra spice is added by a host of guest artists. Long time mate Alison Kinaird joins them on Scottish harp. Legendary County Sligo flautist Seamus Tansey plays off Battlefield wind-man Iain MacDonald in a brilliant duet of reels. Yorkshire singer Kate Rusby and California bagpiper Eric Rigler also make showings. Perhaps the most curious moment in the show is the battle of the bands between the Battlefield boys and Glasgow country rockers The Radio Sweethearts (a side project of BB member John McCusker), clearly won by the country bagpiping solo that punctuates the last verses. Another live one from the Battlefield Band has been long overdue, but as always, worth the wait. - CF (sound sample available)
Back to the top