Terra d'Àgua
This recording by the Portuguese duo of Maria Anadon on vocals, and Davide Zaccaria on cello, classical guitar and keyboards is just the thing for a peaceful, sunny summer afternoon, with its quiet, subtle songs and arrangements. But prepare for a few jolts along the way. Anadon's slightly nasal alto is friendly and confidential, while Zaccaria's arrangements, especially his use of cello and Portuguese guitar, keep these poppy tunes from assuming unbearable lightness. Lyrics, sung in Portuguese, are also provided in Italian and English, their quick-stroke impressionism apparently not an artifact of translation.
"Agosto" marks the return of serenity, Anadon and guest Jorge Fernando sharing a vocal duet, backing dominated by classical guitar, piano, and cello, all echoing one another's phrases. But don't relax just yet. "Mixtli" interposes an almost humorous sixties-style funky rock beat, instrumentally framed by cello, Anadon's vocal driving ahead of the beat on verses, a cello freak-out solo in the center, the whole a strikingly odd yet pleasing performance. Only on "Il Clown," with its deep cello opening and tinkling Portuguese guitar, does a desperate sadness seem to emerge from the mild melancholy suffusing the album. "A Lei da Canseira" is the most traditional-sounding track, with calm beat and bouncy hand percussion, Anadon and guest vocalist Paolo de Carvalho trading breathless, run-on verses, coming together in harmony on chorus. The closing track, "J. L.," offers more jazzy skat, this time with a stuttering beat and sax embellishment, lyrics reprising those of previous tracks in a context of frenetic self-doubt.
Viagem de um Som is a bit difficult to categorize, pert pop mixed with Iberian tradition and instrumental eccentricity, but is the more unique and enjoyable for it. - Jim Foley
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