Susana Seivane
It took me a while to warm to this third recording by Galician piper Susana Seivane. Not what I expected. Too jazzy; too contemporary. And vocals! Why sing when one plays one of the most articulate gaitas around? But perseverance is rewarded. Mares de Tempo grew on me, in part because its production embodies a coherent vision of living, developing tradition; in part, because Seivane's voice is more than serviceable and pretty, but expressive and disciplined; but mostly, because her playing rises to every challenge posed by the recording.
"Cone�o do Verdo/Polca do Ulla" starts with a lively accordion polka, switches to glottal gaita and picks up some complex, jazzy chording, swing taking command in a brief flute fugue, an exciting modern riff on traditional sounds. "Mu�eira de Al�n" is a calm, pretty song fitting Seivane's voice nicely. The violin backing breaks into a speeded-up solo, tightly coordinated with the percussion, before dramaticly returning to the main melody, ending on a dense multi-tracked vocal chord. The standout track is "Xota de Li�ares," a slow, stately waltz with heavy accent on the second beat, Seivane's vocal in compelling harmony with Jara Ortiz's, a thrilling large vocal chorus entering along with dense instrumentation, the theme repeated insistently with more the effect of building drama than trance; it could go on for days with no loss of power.
Mares de Tempo comes in a lovely fold-out package, with notes in Galician, Spanish, and English. The bonus DVD included is not coded for US players, but can be viewed on computer systems equipped with a Region 2 codex. But the music is the center of attraction anyway. Susana Seivane's gaita is magic with a contemporary edge. - Jim Foley
CD available from cdRoots
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