Javier Ruibal - Sahara If you enjoy what you read here, please consider showing us a small bit of your love and support with a subscription! Become a monthly supporter for the price of a cup o' joe or a nice dinner. Choose Your Donation Dear Reader : $5.00 USD - monthly Generous Supporter : $10.00 USD - monthly Music of the Month : $20.00 USD - monthly Angel : $500.00 USD - yearly

Javier Ruibal Sahara Riverboat Records There's world music, then there's the music of the world. What we hear most often emanates from the first category. That is, music (more or less) readily available wherever and however it is that people procure their recorded music these days (record companies don't have such a firm grasp on this process anymore). And any world traveler with an ear for the lyrical knows that only a small portion of what one finds when abroad is typically available outside the country of origin. Why else leave home? Take Spain. Franco's demise opened up an exceptional era of artistic creativity, and Spain today presents a surfeit of musical possibility. So it's no surprise that a talented singer-songwriter-guitarist like C�diz native Javier Ruibal has flown under planetary radar until now. Here as elsewhere, world-music purveyors get the commercial jump by traveling for everyone else, and Sahara cherry-picks from Ruibal's two most recent Spanish releases. Sahara reveals a suave singer, composer and arranger, an impenitent romantic with a fatal attraction for the feminine apparition. Ruibal's stylistic counterparts include artists like Lu�s Delgado, Radio Tarifa and (in a broader musico-philosophical sense) Manu Chao, whose styles variously reflect the hybrid textures of Moorish and Sephardic Iberia, medieval Spain, gypsy Andalusia, North Africa and the Levant. In short, Ruibal's is popular Spanish music with a cosmopolitan ken for the roots and branches of pan-Mediterranean expressive culture and history. But looking east, Sahara also offers something quite distinctive, the arresting "La Flor de Estambul." Ruibal sets his lyrics to fellow-traveling orientalist Erik Satie's haunting melody, "1�re Gnossienne" (in original conception, an allusion to the wisdom of classical Greece), on a track newly recorded for Ruibal's first sortie into the world-music souk. If he can continue to invoke the wondrous muse of this sort of inspiration, we'll be hearing a lot more of Ruibal. - Michael Stone Sahara is available from Amazon.com Previous recordings are available from cdRoots

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