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Odessa Klezmer Band
Isaac's Dry Tree exemplifies musical fusion, in this case the natural interpenetration of Gypsy and klezmer traditions, distinct enough to identify but immersed in continual mutual allusion. What little the core quintet lacks is supplied by a bevy of guest artists, contributing male and female vocals, a full brass section, and cymbalom. The thematic design of the recording echoes a crucial aspect of its dual musical tradition: tension and suspense generated by juxtaposition of diverse yet complementary textures, speeds, and topics.
A skipping beat, coyly percussive strings, and a playful melody carried alternately by high sax and low clarinet signal "Nagyapa Tánca" (Granddad's Dance), immediately followed by "Ifjak Tánca" (Youth's Dance), a tightly-wound gallop, the fiddle double-timing a wailing sax lead, the key transformations giving the illusion of acceleration. Another contrasting pair begins with "Kárpáti Menyasszony" (Fiancée from the Carpathians). Its trancy, oud-like picked tambura adds a Turkish edge to tenor sax and Kati Szvorák's pretty vocal. Ferenc Kiss' playful harmonica introduces a festive, fiddle-led two-step celebration in the complementary "Kárpáti Volegény" (Fiancé from the Carpathians). This pair of pairs is in turn bracketed by "Hajnali Dojna" (Doina at Dawn)with its delicate cymbalom behind the fiddle, the melody simple and pretty, and "Alkonyi Dojna" (Doina at Dusk) with a keyboard drone and hints of frogs and crickets hosting meditations on trumpet and trombone. It's a melancholy but dramatic effect.
The Odessa Klezmer Band complements its merged musical traditions and excellent musicianship with clever and evocative song selection and sequencing, yielding a whole that continues to both entice and satisfy. - Jim Foley
Available at cdRoots
Audio ©2000 Ethnofon Records, used by permission
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