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Kékélé
Rumba Soukous
Sterns (www.sternsmusic.com)

cd cover
Listen!
"Baninga"
Papa Noel
While all types of Congolese popular music are usually lumped together as soukous for marketing purposes, it is crucial to distinguish between the gracious, melody-drenched rumba congolais and the fleet, far less organic "speed soukous" styles that eventually eclipsed it. Kékélé most definitely harks back to the former, recalling the sixties-and-seventies heyday of Ry-Co Jazz, Les Bantous de la Capitale, African Jazz, and OK Jazz. The band is nothing less than a super-session, a gathering of luminaries from two generations. Among the singers, Nyboma Mwan Dido, Jean Papy Ramazani, and Wuta Mayi achieved international fame during the mid-to-late eighties as founding members of the Quatre Etoiles-Kass Kass cell; but Bumba Massa (Lovy du Zaire) and Loko Masengo (aka Djeskain - Trio Madjesi, Les Trois Freres) are genuine sixties veterans. Sexagenarian lead guitarist Ndule Papa Noel passed through several ground-breaking outfits before becoming Franco's trusty lieutenant in OK Jazz.

Listen!
"Pinzoli Ya Africa"
Wuta Mayi
Syran Mbenza is heard on lead and second guitar in Kékélé, but he is also a legendary rhythm and mi-solo (in Congolese music, a third guitarist who interacts with both the lead and rhythm players) virtuoso as well as a founder of Quatre Etoiles and Kass Kass. Rather surprisingly, the core group is rounded out by Yves Ndjock, a famous Cameroonian keyboard ace, singer, and arranger whose work usually displays a decidedly modern bias. The semi-acoustic ambiance is further enhanced by the ten additional performers who sit in on accordion, sax, clarinet, flute, percussion, violin, up-right bass, and back-up guitars. The tunes uniformly reflect the languid yet well-marked Cuban clavé beat, chiming strings, and close-harmony vocals that characterized the older, more classic styles. There is not a single rough edge or hurried tempo within earshot. Ultimately, the project comes across as a mellifluous living history taught by those who know. The whippersnappers of soukous could do worse than to unplug their synths for a hot minute, have a listen, and remember where it all came from. - Christina Roden

Audio:
"Baninga" (Papa Noel)
"Pinzoli Ya Africa" (Wuta Mayi)
© (p) 2001 Stern's Music, used by express permission

Available at cdRoots


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