La Orquestina del Fabirol
La Orquestina del Fabirol essays the dance music of the 19th and early 20th century Pyrenees, drawing on a handwritten notebook of violin transcriptions passed through three generations of a prominent musical family in Acumuer, a village of Alto Arag�n. The group comprises a septet of voice, guitars, bass guitar, requinto, la�d (lute), salterio (small hammered dulcimer), diatonic and chromatic accordions, dulzaina (a medieval double-reed precursor of the oboe), gaita (double-reed bagpipe), whistles, acoustic bass, pandero (frame drum) and hand percussion, with guests on piano, violin, sax and zanfona (Galician hurdy gurdy).
Industrialization and the radio's advent brought new sounds to the Pyrenees (including the bolero, cha-cha-cha, guajira, habanera, mazurka, polka, schottische, foxtrot, tango and waltz), along with an influx of construction and railway workers. This work demonstrates that the process that informs world music is nothing new. Local bands quickly assimilated insurgent musical styles, in accord with local aesthetics and instrumentation, augmenting an evolving repertoire of local standards with new sounds, while maintaining the resonant, emblematic timbre of Basque vocal style.
This is a subtly captivating recording whose musical and philosophical depth reveals itself only slowly, paradoxically combining a wistful remembrance of (and a certain melancholy for) things past with a readiness to embrace what the greater world has brought to a community undone in the process of social transformation, elegiac witness that the music of "world fusion" long predates current metropolitan tastes - Michael Stone
Listen to "Romanze de o carrilano Quin�n"
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