DJ Dolores + Orchestra Santa Massa
The recording begins with "Santa Massa Chegou!!!", a calm samba rhythm, trombone echoed by raw childlike chorus, programmed snare drum like a fibrillating heart. On "Dan�a da Moda," industrial clang percussion supports MC Sal�'s gritty vocal, echoed by the same childlike chorus and his smooth, playful rabeca, trombone entering at the end. Rabeca adds a Middle-Eastern ambience to DJ Dolores' shuffling samba percussion and new-agey programming on "O Enigma Turco," Pupillo's snare drum adding welcome liveliness. "Sentado na Beira do Rio" is slack-beat, funky reggae, once again featuring Isaar Fran�a's seductive vocal against a background of trombone, crashes, and guitarist F�bio Trummer's disembodied recitations.
"Samba de dez Linhas" is the most intriguing track, beginning with loopy sounds, perhaps of DJ Dolores music being transmitted to other planets, progressing into a quick freak-out of percussion and synthesized noise. Suddenly, the storm calms in favor of MC Sal�'s mesmerizing vocal, an a-cappella ritual chant echoed by a choral antiphon, before resuming with rabeca and trombone alternating and collaborating on a demented melody, the whole a sort of space-age religious service. Shuffling percussion, scratchy rabeca oddly suggestive of Scandinavian styles, and chaotic vocals lend "Nordestina" the informality of a field recording made in a space station.
One can sense the gravitational pull of a homogenized global dance culture in "Contradit�rio?", but the Lusafrican touches added by MC Sal�, Isaar Fran�a, and Nilsinho redeem the project. - Jim Foley
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