Ensemble Jong Nong Ak Oho
The second track is the album's centerpiece, the 52 minute long "Ryong San Ho-Sang." This is a long instrumental suite that was originally a Buddhist chant composed of the seven syllables "yong san hoe sang pul posal." At some point in history, the vocal part was dropped. The instrumental theme was enlarged to nine parts, each a variation on the original vocal. The piece is played here by the entire ensemble with the taegum (transverse bamboo flute) and another flute-like instrument which I cannot identify acting as the lead instruments. Once again, the piece begins with a very slow tempo. The heterophony of the lead melodic instruments reminds one of Japanese music. Theoretically, one is supposed to hear each of the lead instruments separately. However, to this non-Korean ear, the instrumentalists seem to be inhaling and exhaling through their instruments in perfect unison. About 38 minutes into the piece, the rhythm picks up slightly. It was one of the few times throughout the piece where I could detect one part changing into another. The third track is a solo flute piece that is a good example of the Korean sanjo (solo instrumental variation) tradition. Because the Korean classical tradition is so exotic to most American ears, the CD would have benefited from more extensive liner notes explaining the music. Since this album is intended as the first volume in an anthology, one hopes future CDs will offer a more detailed explanation of the music.- Aaron Howard Comment on this music or the web site. Write a Letter to the Editor |
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