Brass Monkey
Just a few. On the title track, Brinsford's cymbal flourishes nicely accentuate Carthy's vocals when he mentions the 'flame of fire.' The band also incorporates a tune from an African-American fiddle player on "Bill Driver's Quickstep," an exception on an album whose source material is predominantly English. But my favorite moment has to be on the set "The Queen's Birthday/New Whitehall/Dick's Maggot," where the band just drops out to some clunking percussion and Howard Evans' trumpet gives way to Roger Williams' tuba an effective and unexpected transition.
Taken as a whole, Flame of Fire is very good, indeed. It is clear that these musicians absolutely love working in this band, and you can just tell that Martin Carthy is having one hell of time singing here. I hesitate to call Brass Monkey folk-rock anymore, because they simply occupy their own unique sonic space in the folk world that reminds me more of classical music than the gut dynamics of rock. Brass Monkey delivers, as usual, but wouldn't it be something if the next album shook up the orthodoxy? - Lee Blackstone
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