There was therefore much expectation surrounding their third release, premiered in December 2001 in the Galician town of Santiago de Compostela. Hepta (seven in ancient Greek) is built around the number 7 and its several meanings in nature and society. Seven are the colors of the rainbow, seven are the main arts, seven are the musical notes, seven are the days of the week. And seven also are the members of the band: Anxo Pintos (hurdy gurdy, bagpipes, sax), Guadi Galego (vocals, bagpipes), Santiago Cribeiro (accordeon), Quim Farina (violin), Quico Comesana (mandolin, harp, bouzouki), Guillermo Fernandez (guitars, bass) and Isaac Palacin (percussion, drums).
Once again Berrogüetto lives up to musical expectations, too. During thirteen tunes, the album uses the formula that brought them success in their previous recordings, using contemporary music styles like pop and jazz to interact with the traditional tunes and instruments of Galicia. Berrogüetto have created a record that does not wear out after one or two listenings. Each listening reveals small details in the tunes' structure or in the way that the sounds of each intruments interact with each other. And once again we notice that Berrogüetto works as a true band, since all of the elements are equally important in helping to give shape to each tune.
Just as they had done in their previous album, Berrogüetto invited some guest musicians to participate on a few songs, including the Armenian master of the duduk Djivan Gasparyan, Hungarian cimbalon player Kalman Balogh, and Swedish nickelharpist Markus Svensson.
Although the high quality of the tunes remains during almost all of the album, I would like to point "Nanatsu," "Vinte Anos," "Armenia," "Albores" and "Samesugas" as the highlights. There is a hidden track in the end of the record (after the last tune) but it's one that I could live without, because it's nothing more than a remix of one of the other songs of the album.
This is yet another record that helps to fortify the position that Berrogüetto have achieved in the european traditional music scene. Those that already know the band might say that this record is not as good as the previous (the difference is not that big, though), however there are lots of musicians out there who would love that their best album was as good as this one. - Joao Maia
More audio samples and CD available at cdRoots.com
Audio: "Samesugas" ©2001 Boa Music, Spain, used by permission
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